The Atlantic Monthly | Wynton's Blues

"Every icon needs an origin myth. Born in the same city as jazz, Wynton Marsalis was blessed with a signifying provenance. "I'm from New Orleans," he has told an interviewer, as shorthand for his musical background. "We don't need a concert hall for jazz." In many ways Marsalis's story is so neatly connected to jazz history that it defies credulity. Had a screenwriter created Wynton Marsalis, a cynical producer would have sent back the opening scenes for rewrite: too perfect. Not only did he come from the cradle of jazz but he plays the trumpet, the instrument that originally defined the music. "The first jazz musician was a trumpeter, Buddy Bolden," Marsalis once said, "and the last will be a trumpeter, the archangel Gabriel." Moreover, Marsalis rose to prominence in the mid-1980s, just as jazz was approaching its centennial. "There's a tremendous symbolic resonance that has always been a part of what Wynton's about," says Jeff Levenson, a veteran jazz writer who also worked as an executive at both Columbia and Warner Bros. Records. "This kid emerges who's a hotshot ... and the whole thing has a kind of symmetry to it. Louis Armstrong starts things off—trumpet player, New Orleans, turn of the century. Wynton closes it out—a trumpet player from New Orleans." "

The Atlantic Monthly article on Wynton Marsalis I mentioned here a few weeks ago is now available online for those that are interested.